I was confused after watching 'Pink'. There was nothing pink about the movie. Pink is soft, feminine and innocent. So neither the title nor the contents of the movie justified the title. The movie touched upon the issue of 'feminism' through the lens of an old lawyer who had quit the profession and a young Muslim lady Falak Ali, who is the more reactive, vocal and takes a stand. I believe the leading lady Meenal and her North-Eastern friend fail to make a mark. The entire movie revolves around how the protagonist, Meenal feels victimized for an act she commits for her own protection. She is inarticulate and unsure of stepping up for herself during the trail period. The movie has two silent heroes - the landlard and the lawyer who come to the ladies' rescue. Women have been perceived as the weaker sex, unlike Deepika Padukone in Piku who owns her feelings and actions.
The plot varies too much in intensity - the three women friends who are flatmates seem so confused and inconsistent with their emotions: one moment they are trying to laugh, the next moment they act helpless together and individually. Falak is shown with overly motherly affection towards her two friends while she herself falls week and breaks down in front of the jury, putting herself and other two friends' in disrepute. There was too much contrast in the acting skills of everyone - the legendary actor Amitabh Bachchan makes an impact while speaking about the four essential safety rules for women and the judge makes his presence felt while giving his judgement. The newcomers stumble upon their performances, quite like the 'casual' approach of youth these days. The characters seamed easily replaceable. Any gym-going good-looking bunch of youth would have played the roles. I think one of the underlying messages the movie is trying to deliver is whether youth of today understands the consequences of their actions...
This is where maturity, articulation, knowledge and self-awareness play importance. Rather than raising questions on gender-sensitivity, the movie raises questions on which direction the youth of the country is going? Morality or not, but is an average urban young woman of India who lives alone or with friends open to having multiple sexual relationships? Is she already open-minded enough to having an affair with an older man and telling her friends about it? Can she bring her boyfriend to her apartment in the presence of her friends and neighbors and not feel judged? If yes, then would she be so fragile so as to not communicate her act of defending herself even while she's getting punished for it under the rule of law? Would a women who's had multiple relationships not be able to sense an impending danger from a bunch of guys she meets for drinks after a rock concert? Does experience teach women nothing - is the movie trying to imply that! It clearly downplays the emotional intelligence of women and their sense of judgement while again giving power to a man to save them.
In recent movies like Sarabjit, where a leading female actor fights her way to the judicial system, Pink puts a question mark on the sensibilities of an urban woman and her failure/ unwillingness in proving herself correct - for saving her job, responding to racial slurs, reacting to a moral online obscenity and seeking adequate help at the time of crisis. A few bold stunts by women I believe could have made the movie slightly inspirational.
The plot varies too much in intensity - the three women friends who are flatmates seem so confused and inconsistent with their emotions: one moment they are trying to laugh, the next moment they act helpless together and individually. Falak is shown with overly motherly affection towards her two friends while she herself falls week and breaks down in front of the jury, putting herself and other two friends' in disrepute. There was too much contrast in the acting skills of everyone - the legendary actor Amitabh Bachchan makes an impact while speaking about the four essential safety rules for women and the judge makes his presence felt while giving his judgement. The newcomers stumble upon their performances, quite like the 'casual' approach of youth these days. The characters seamed easily replaceable. Any gym-going good-looking bunch of youth would have played the roles. I think one of the underlying messages the movie is trying to deliver is whether youth of today understands the consequences of their actions...
This is where maturity, articulation, knowledge and self-awareness play importance. Rather than raising questions on gender-sensitivity, the movie raises questions on which direction the youth of the country is going? Morality or not, but is an average urban young woman of India who lives alone or with friends open to having multiple sexual relationships? Is she already open-minded enough to having an affair with an older man and telling her friends about it? Can she bring her boyfriend to her apartment in the presence of her friends and neighbors and not feel judged? If yes, then would she be so fragile so as to not communicate her act of defending herself even while she's getting punished for it under the rule of law? Would a women who's had multiple relationships not be able to sense an impending danger from a bunch of guys she meets for drinks after a rock concert? Does experience teach women nothing - is the movie trying to imply that! It clearly downplays the emotional intelligence of women and their sense of judgement while again giving power to a man to save them.
In recent movies like Sarabjit, where a leading female actor fights her way to the judicial system, Pink puts a question mark on the sensibilities of an urban woman and her failure/ unwillingness in proving herself correct - for saving her job, responding to racial slurs, reacting to a moral online obscenity and seeking adequate help at the time of crisis. A few bold stunts by women I believe could have made the movie slightly inspirational.
